Skip to main content

Ghosts as Popular Culture

It’s almost two months, yet the building that houses the famous Haunted House is still swarmed by people. My city, Surakarta, witnesses a popular culture ritual that is unfolding. In this post, I would argue that even ghost now attains a status as a popular culture product.

Solo, Javanese Culture, and Mysticism

As one of the oldest city in Java, Solo once functioned, and it does still function, as the center of Javanese culture in Indonesia. The Keraton Kasunanan (Kasunanan Palace) which was the ruler of Solo, now serves as the cultural guardian of the city. Tracing back to the history of Solo, an assimilated form of Islam is the biggest influence in the city. I argue this as an assimilated form of Islam to refer to the reality that in Solo, Islam is not practiced solely adapting its Arabic version as taught by Muhammad PBUH. Solonese practice both Islam as inscribed by the holy prophet and Javanese cultural belief (kejawen) which includes the rituals which are not inscribed in Islam. There are many debates by those who demand the purification of Islam and by those who insist on persevering Javanese cultural belief. I will not take up this debate though. Yet, I will observe the intersection part of both Islam and Javanese cultural belief.

As a Muslim, I am taught to believe that Allah, the almighty God, creates various forms of lives. It includes the seen (humans, plants, animals) and the unseen (angels and demons). The belief to the existence of the unseen, that they are also God’s creature, is one of fundamental part in Islam. Only, in Islam, we, humans, are not supposed to be afraid of them and not supposed to make a pact with them for we are God’s servants. We only believe that they exist. Like in any other religion, demons serve as the one that will try to persuade humans to falter from the righteous way of God.

In Javanese cultural belief, the unseen however is put on pedestal. The belief stemmed in an ancient (pre-Islam era) belief of Javanese that regarded the unseen as the almighty Protectors and Providers. The dawn of Islam in Solo did not erode this belief. Islam does not eradicate the belief to the unseen. Islam as stated above only offers an alternative ways of relationship to the unseen. The belief to the existence to the unseen is a value held by both belief systems.

Popularizing the Unseen

The Unseen is a promising value commonly shared by Javanese and Indonesians as general to be sold as a commodity. The revised hegemony theory posits that the capitalist groups do not merely impose values on the subordinate group. Rather, they take what is on them and reshape the values in such a way and sell it back to them. That is how and why a product can be popular in society. The Unseen as a communally shared values undergo the same process. Thus, the Unseen serves as a durable popular culture in Indonesian society. Since the emergence of film industry in Indonesia, the unseen, the ghost is a favorable theme. The 80s Indonesian movies were dominated by horror movies that feature various representations of local ghosts. The 90s and early 2000s phenomena were apparent in television as its price fell and many people in Indonesia had television sets. The famous television shows in the era were pretty much the same. Shows featuring ghosts, mystical stories and superstitions outdid other television shows. The current phenomena may best be encapsulated by Indonesian film industry. In my opinion, out of 5 movies, there are 4 movies which feature ghost (A recurring 80s trend).

The Haunted House phenomenon in Solo is also not an exception. It is just another capitalist profit oriented group that tries to allure Solonese to spend their money to watch this show. As explained before, Solonese really believes to the Unseen because they have strong cultural background as in Kejawen and Islam. Moreover, the first show of the Haunted House took up a local theme. ‘Misteri Rel Bengkong’ (the Mystery of A Bent Railroad) took up local urban legend of mysterious bent railroad in the city. Certainly for Solonese who loves superstitions and mystical stories, the Haunted House serves as an oasis in a desert. People will come to the Haunted House, perhaps, really looking for the answer of what the mystery of the bent railroad is.

I once visited the site. I was asked by a friend of mine. I was shocked by the queue lines at the entrance. It was more crowded that say, the premier of Harry Potter. What is more surprising is the existence of a booth which serves the service to have photo with ghost. Certainly, in here, ghosts are commodified. They are sold as a profitable entity for capitalist groups. Ghosts are now also popular culture product. I wonder, what will be the next popular culture product? 

Comments

  1. yup.. even now, ghosts are commodified. the haunted house is the proof..

    and now, we can also find a book that illustrates ghosts in Indonesia.. it's available on the bookstore.

    ReplyDelete
  2. I feel sorry for the ghosts :D they should get royalty lol

    ReplyDelete
  3. HAHAHAHAHAHA..
    yeah you're so right Riz..

    ReplyDelete
  4. hahahahaha...
    really, mas-mas.... what are you talking about...??

    is it not only Indonesia selling ghosts?
    America is also selling ghosts, through films~

    mas kiki, try to analyze exorcism movies!
    those movies really tickle me!

    ReplyDelete
  5. I have no guts to watch exorcism -___-

    ReplyDelete
  6. why???
    that's really interesting, mas~~
    exorcism according to one religion and another religion...
    question repeating in my mind:
    why does the demon can be banished by using prayer from all religion??

    ReplyDelete
  7. Ooh yaa?? jadi pengen nonton :D ntar deh, tapi berani ga ya nnton sendiri -__-"

    ReplyDelete
  8. First of all, I don't believe in ghosts.
    I think that there are demons who like to act as someone from the past and interact with humans as a way to take someone's attention away from God, causing them to question religion, and ultimately draw them away from their beliefs.
    But I do enjoy ghost shows or movies because it's a great way to scare yourself and get that adrenaline going!

    Last year around Halloween I was disgusted with the way that people use "ghosts" to make money.
    I live at Fort Riley, Kansas. It's a really old Army post with a lot of interesting history, and because of it's age there are a lot of ghost stories about this place.
    The historical society of the post put on a Ghost Tour in the oldest part of post every year, and it's free.... Well, sort of free...

    I learned a lot about that area of the post including the training that the Calvary use to do back when they rode on horses, the age of some of the building and housing, and my favorite was learning about all of the buildings and trees that are repeatedly stuck by lightning! I never knew this place was so prone to getting hit during thunderstorms!

    What I hated about the tour was how every house or building that had a "ghost story" wasn't talked about, instead the guide would stop in front of a certain house and say that "on page (make up a number) of our latest edition of our book you can read about the ghost who lives in this dwelling..."
    Really!? REALLY!? How is that a ghost tour?! More like a sales pitch tour! So lame...
    Anything to make a buck I guess...

    ReplyDelete
  9. "First of all, I don't believe in ghosts.
    I think that there are demons who like to act as someone from the past and interact with humans as a way to take someone's attention away from God, causing them to question religion, and ultimately draw them away from their beliefs."

    it's very similar, if not the same as what my religion teaches to me. I am not aware that demon and ghost refer to two different entities, my apology :)

    ReplyDelete

Post a Comment

Popular posts from this blog

The Two Most Influential Postmodernist Thinkers

This second post about postmodernism will consist of two greatest postmodernist thinkers and their contribution to postmodernism.
1. Jean Fran├žois Lyotard.
Lyotard is a French philosopher. He opened the discussion for postmodernism in social theory with his groundbreaking publication ‘La Condition Postmoderne’ (The Condition Postmodern). His works stress the decline of meta-narratives or grand-narratives, as some scholars refer it. Meta-Narratives as defined in the previous post are sets of ideas governing what is right and wrong. For example, religion defines how to live a good life. By doing so, people who do not appeal to the characteristics of good man as defined by religion will be considered unfaithful, as bad people. Lyotard argues that this way of legitimating declines in a postmodern society. What is considered good can no longer be clearly separated from what is considered bad.

The decline of meta-narratives was triggered by communication development. Traditional communicatio…

Movie Review | Stream of Tears in Wedding Dress

Last Saturday, I got a runny nose -kind of severe, as I recalled- not because of sick, but because I watched a Korean movie entitled WeddingDress.
I have frequently watched Korean movies. In my opinion, they are much better than Indonesian movies. Not that I dislike my country (I just dislike Indonesia’s movies), but yeah, Korean movies have a wide range of preference. You can watch cheesy-funny-romantic movie that make you feel happy and smile all the time. Or try to watch a horror-romanticmovie that makes you laugh and scared. You can also find cool action movie! Some movies even make me cry a lot. I really mean it when I say some Korean movies really make me cry so badly. Wedding Dress is one that makes me cry. I am a boy and I cry. So what? I don’t buy the ubiquitous saying ‘Boys don’t cry’.

Wedding Dress narrates the life of a single mother, Go-eun, played by Song Yun Ah. Her husband dies already, leaving her only with her young daughter, So-ra, nicely played by Kim Hyang-gi. …

Gender Issues in Japanese Anime and Manga

I've got this idea to write about Japan's popular culture for  some times. Firstly, I love Japan's popular culture such as anime and manga.Japan's anime and manga are so popular around the world, transcending nations, age, sex and gender. I read Japan's  manga from the age of 10 (may be), until now. I watched Japan's anime also for years.

One thing that really makes me wonder is about the depiction of gender in those popular culture product. Before furthering the discussion, it is important to say that i follow Ann Oakley's argumentation to differ sex and gender. Sex is naturally determined, while gender is socioculturally constructed. Thus, to speak of male and female is to speak of sex. While to speak of masculine and feminine is to speak of gender. In doing gender (attributing gender characteristics in body), people are for so long stereotyped by the existing binary relation. It means that male should develop masculine traits to be called as a real man.…